The old saying “God is in the details,” connoting that paying attention to small things can have great rewards, resonates powerfully in Laetitia Soulier’s The Fractal Architectures, now on view at Claire Oliver Gallery. There’s a rare quality of genuine wonder in these photographs and set models. When I visited the gallery to talk to the artist about her work, I saw people animatedly gazing into her Matryoshka Doll sculpture, talking to each other, pointing out particular features: the spiraling wooden staircase that winds through the work’s core, the tiny vanity with its art nouveau curves, the anthropomorphic clock shaped like the doll figures on the cardinal-red wallpaper that lines the entire room. The work is earnestly charming, but this endearing feel is achieved because it’s persnickety in its material details, layered in its meanings, and visually bountiful. You need to spend half an hour looking at one photograph to gather all of what’s happening inside it.